Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. for Trumpet and Piano. Kent Kennan – Alfred Publishing Co., Inc. : Sonata for Trumpet and Piano: Edition, Part(s) ( ): Kent Kennan: Books.

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The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden A four-measure transition that is based on the main motive of the entire piece follows Dearden Kennan meant for the trumpet and the piano to be fairly equal in this piece, so trumpet players need to be aware of this and play accordingly McNamara His Sonata for Trumpet and Piano is part of the standard repertoire for many collegiate trumpet studios.

The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden It returns to the original tempo and centers around E-flat once again Dearden All of the themes from the exposition are written in the recapitulation Dearden This piece is difficult in many ways. The first movements are both in Sonata-Allego form, the second movements are in Three Part Song form, and the third movements are in Osnata form, causing them to both have the same overall structure as well McNamara This first statement begins in minor, goes through Phrygian, and ends in major Dearden By using this site, you agree to the Terms of Osnata and Privacy Policy.

To find out more, including how to control cookies, see here: In the coda, the trumpet is playing with a harmon mute and playing G, the dominant kenna C, until the last measure, when the line finally resolves to the tonic Dearden Even though sknata melody sounds like D minor, there is no F of any kind to confirm whether it is major or minor.

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All of theme motives and variants of these motives are repeated throughout the course of this movement Dearden University of Maryland, You are commenting using your WordPress. The wonata pitches in the first measure begin with the leap of a perfect fifth up, followed by a whole step Dearden You can help Wikipedia by expanding it.

The second movement ends with a coda in C major, which has not been played in until this point in the piece Dearden McNamara, Anne Kovarik It is also significantly shorter Dearden The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden The Recapitulation All of the themes from the exposition are written in the recapitulation Dearden Kennan composed his last major work in at the age of 43 and largely abandoned composition, writing only occasional small pieces and devoting himself to teaching and educational writing.

This theme is only in the piano sonaat Dearden Then a short transition leads into a restatement of the third theme, but this time the soprano line of the chorale is played by the trumpet and the bottom three ssonata are not being played Dearden The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first movement Dearden Retrieved from ” https: The development begins after a short transition from the exposition Dearden Most of it is an exact restatement of the exposition, but transposed up a half step Dearden They knew each other while Kennan was composing the piece, so Elsass gave Kennan some advice about writing the trumpet part since he was a trumpet player and a former cornet soloist Dearden The secondary theme is lyrical, with no fanfares, and in minor Dearden His Night Soliloquy was written in and is set for solo flute, piano and strings.

This page was last edited on 8 Novemberat Kwnt also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara You are commenting using your Twitter account.

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The American Trumpet Sonata in the s: The development sonta the shortest section in the movement Dearden The fanfare leads into the slurred motive that is mostly comprised of eighth notes Dearden Kennxn piece ends with a trumpet fanfare in E-flat Dearden At the age of 23, he was awarded the Rome Prizewhich allowed him to study for three years in Europe, primarily at the American Academy in Rome. This made the piece much easier to perform McNamara The rest of this movement is based largely around this main theme Dearden None of these keys state a third, so there is no way to tell whether they are major or minor, just like in the first movement Dearden kennxn The main motive that was introduced in the first movement appears frequently in this theme Dearden The material in the coda moves from Kennaj, to F, then to D-flat, and ending in B-flat for the cadence that ends the piece Dearden Measures three and four introduce the fanfare motive of the main theme, first with the interval of a perfect fourth, then a perfect fifth Dearden It is also the only theme that stays centered around a tonic in the entire movement Dearden Views Read Edit View history.

The return of the first theme is very similar to the first time it is stated, but it is transposed down a half step and the piano accompaniment is different Dearden Dearden, Jennifer Lorien This statement of the theme ends with a ritardando that goes into a fermata Dearden